Z/Web

Interesting ceremonies. For one, this year I’d actually seen most of the films (some years it seems I haven’t seen any), and for another the “war” toned things down to a much more pleasant level. All the glitz and silliness that usually goes on makes me nauseous. The Academy should do it like this from now on.

The war comments were more subtle than I expected, with the exception of Michael Moore. Fortunately, his attack on Bush, which was clearly in bad taste and out of place, was roundly booed by the liberal crowd. Surprising and pleasing. Adrien Brody’s Best Actor speech gets my vote as the best speech (though it would have been nicely unifying if he’d prefaced his “war” mention with the fact that it doesn’t matter which side you’re on, war hurts everyone).

As to the awards themselves, I have few complaints. I was pleased Polanski got Best Director, and Brody for actor. Kidman’s okay for Best Actress, but Selma Hayak would have been a more daring choice. Chris Cooper was my choice for Best Supporting Actor, and I have no problems with Catherine getting the Supporting Actress nod. Pedo Almodovar winning Best Screenplay was awesome, but Charlie Kaufman was robbed for Adaptation not winning. Chicago picked up a lot of undeserved minor awards (Costumes? Sound? Spread the love, Academy. Recognize some of the other good films.), then got the big one, Best Picture, which was deserved. Eminem winning Best Song surprised me, but it is a great song. Frida at least one some consolation Oscars, and The Lord of the Rings: the Two Towers managed a few technical awards but was once again snubbed on the creative one. Maybe the third film will get the respect the saga deserves. If nothing else Jackson deserves an honorary Oscar for Film Achievement of the Decade or something. But then he is laughing his way to the bank, despite whatever the Academy does, and in the end that might be the best revenge.

In general I’m pleased: no minor artsy-fartsy film swept all the awards (like The English Patient, ugh), and a few films that actually made money were recognized (I hate it when the Academy picks art films no one has seen). I would have liked to see independent films get a little more recognition, but this wasn’t a bad night with Frida and The Piano picking up some decent statues.

Okay, I abhor politics but all this griping about the “war” with Iraq has got me irritated and I’ve just got to say my piece. Opinions to follow. You’ve been warned.

First, note that I put “war” in quotes. That’s because call this thing with Iraq a war is a joke. We’re talking Mike Tyson in the ring with a three-year-old with his ankles chained together. This is a skirmish or battle, not a war. That the media gives it this much attention is just because it’s easy news for them, and the footage of explosions and missiles launching is high ratings. Yes, there will be (and have been) coalition casualties. But were talking hundreds, maybe thousands. Not hundreds of thousands. This is not a war. This is a battle. A war is something that will last for years. This will be over in months.

Second, the “anti-war” protests really bug me. That’s mostly because they are supposedly against “war.” That makes it sound as though if you don’t agree with them, you are pro-war. Who was ever pro-war except for Gengis Khan or Hitler? War is horrible: people die. No one should be pro-war. Now there are many reasons to be against the decision of the U.S. to invade Iraq, but to be against it because you’re anti-war is just stupid. Would you have been against the U.S. entering WWII against Hitler? (If so, most of the world would be speaking German today.) War might be an ugly thing, but this country was founded on war, and I’m proud and grateful to be a recipient of the freedoms I have today because of the blood sacrifice those farmers and pioneers made. Having a military force to protect society is one of the only excuses for a government to exist. If you’re against us attacking Iraq, please say that. Say why (you think it’s about oil, Bush Junior finishing what his dad didn’t, political ratings, Saddam’s a good guy, etc.), but don’t just be “anti-war.” I hate that.

Finally, you may be wondering which side I fall on. The truth is I don’t know. The truth is my opinion doesn’t matter. Bush has attacked without my advice and will continue to do so. Do I like Saddam? Hell no! I thought it was absurd we left him in power after Desert Storm. Really dumb. Now we’re having to go back in and finish again, only this time he’s rebuilt, rearmed, and possibly has weapons of mass destruction he’ll use. The whole thing’s a mess but the bottom line is it doesn’t effect me directly and until it does I’ll refrain from having that much of an opinion. I am sick of the debate, though, and the attacks on our brave soldiers who are risking their lives to do their job. I’m glad that we’re actually attacking instead of sitting around talking about it for nine months. Maybe this will be over soon and we can concentrate on problems in the U.S. that actually effect Americans.

Interesting ceremonies. For one, this year I’d actually seen most of the films (some years it seems I haven’t seen any), and for another the “war” toned things down to a much more pleasant level. All the glitz and silliness that usually goes on makes me nauseous. The Academy should do it like this from now on.

The war comments were more subtle than I expected, with the exception of Michael Moore. Fortunately, his attack on Bush, which was clearly in bad taste and out of place, was roundly booed by the liberal crowd. Surprising and pleasing. Adrien Brody’s Best Actor speech gets my vote as the best speech (though it would have been nicely unifying if he’d prefaced his “war” mention with the fact that it doesn’t matter which side you’re on, war hurts everyone).

As to the awards themselves, I have few complaints. I was pleased Polanski got Best Director, and Brody for actor. Kidman’s okay for Best Actress, but Selma Hayak would have been a more daring choice. Chris Cooper was my choice for Best Supporting Actor, and I have no problems with Catherine getting the Supporting Actress nod. Pedo Almodovar winning Best Screenplay was awesome, but Charlie Kaufman was robbed for Adaptation not winning. Chicago picked up a lot of undeserved minor awards (Costumes? Sound? Spread the love, Academy. Recognize some of the other good films.), then got the big one, Best Picture, which was deserved. Eminem winning Best Song surprised me, but it is a great song. Frida at least one some consolation Oscars, and The Lord of the Rings: the Two Towers managed a few technical awards but was once again snubbed on the creative one. Maybe the third film will get the respect the saga deserves. If nothing else Jackson deserves an honorary Oscar for Film Achievement of the Decade or something. But then he is laughing his way to the bank, despite whatever the Academy does, and in the end that might be the best revenge.

In general I’m pleased: no minor artsy-fartsy film swept all the awards (like The English Patient, ugh), and a few films that actually made money were recognized (I hate it when the Academy picks art films no one has seen). I would have liked to see independent films get a little more recognition, but this wasn’t a bad night with Frida and The Piano picking up some decent statues.

Author: Philip Jose Farmer (novels)

This was a SciFi Channel movie. I’ve seen Farmer’s novels but never read anything by him: I guess I’ll have to check him out. This is a fascinating premise: dead people wake up underwater, swim to the surface, and find themselves in a new world. All the people who ever died on earth are here, the famous and the infamous. Some unknown person or power has resurrected them, for an unknown purpose. This new world is ruled by primitive gangs, and the main character finds himself in a battle to help one gang who’ve built a riverboat. (The guy who runs it, Sam, turns out to be author Mark Twain.) Unfortunately, in this in this film we’re never given an explanation for the resurrection, which is what we really want. Instead we’re treated to a minor action saga of intrigue, betrayal, and sword fighting. Big whoop. As expected, the good guys win. Duh. Perhaps this movie will lead to a TV series or more movies: it certainly ends with that implication, as we see shadowy figures in hoods who apparently are in control behind the scenes. As this movie stands by itself, it’s TV quality, but the premise is above average and if they make sequels or a TV show, it could be excellent.